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If your New Year’s resolution is to watch more horror movies, what are the best horror movies you should be 🗝 watching? With such an excitingly extensive genre, it can be tough to narrow down where to focus your efforts, whether 🗝 that’s revisiting old favorites or discovering new gems.
In our list of the best horror movies below, we’ve made sure to 🗝 cover an eclectic and terrifying gamut of films, everything you should need to inspire a New Year watchlist as you 🗝 hunker down and recover from the excesses of the holidays.
So what’s on offer? Infected rage monsters and deadites in 28 🗝 Day Later and Evil Dead 2. Vampires, witches, and werewolves from Near Dark to The Blair Witch Project to Suspiria 🗝 to An American Werewolf in London. The darkest side of the occult with The Omen, Hereditary, and The Exorcist. Serial 🗝 and slasher killers from The Silence of the Lambs to Psycho to Halloween to A Nightmare on Elm Street to 🗝 Candyman. Proper monsters and aliens in The Descent, Alien, and The Thing. Modern classics from The Babadook to It Follows 🗝 to Get Out. Ghosts and hauntings with Paranormal Activity and The Shining.
With all this and much more, whatever your 2024 🗝 is howling out for, our list of the best horror movies has got something for you.
Read more: New horror movies 🗝 | Best Netflix horror movies | Best witch movies | Best haunted house movies | Best horror movie remakes | 🗝 Best horror movie sequels | Best vampire movies | Best horror comedies | Best horror movies for scaredy cats | 🗝 Best zombie movies | Cheap tricks horror movies use to scare you | Best Shudder movies | The best movie 🗝 drinking games
30. Near Dark (1987)
(Image credit: F/M Entertainment)
The movie: Oscar-winning director Kathryn Bigelow’s Southern Gothic vampire flick follows Caleb (Adrian 🗝 Pasdar), a young man forced to join a travelling band of bloodsuckers after he’s bitten by one of their crew 🗝 - his beautiful and brutal love interest, Mae (Jenny Wright). Bill Paxton, Lance Henrickson, and Jenette Goldstein add to the 🗝 fray, with stellar performances across the board bringing the neck-tearing terror to life. It’s a tale of vampires as family, 🗝 told in a neo-Western style that breathes fresh life (or death) into the ubiquitous subgenre and which has garnered a 🗝 cult following over the years thanks to its striking visuals and set pieces.
Why it’s scary: The unpredictability and savagery of 🗝 the vampires in Near Dark leaves a lasting impression. These are blood-soaked killers on the rampage, killing to feed but 🗝 also apparently for fun, and the group includes not only unhinged immortals as you’d expect them but also an unsettling 🗝 vampire child in Joshua Miller’s Homer. It’s made very, terrifyingly clear that once the sun goes down there’s no escape, 🗝 so you had better pray for daylight.
29. Saw (2004)
The movie: It might have reignited the so-called torture porn genre with 🗝 its (mostly) truly disgusting sequels but - and this is a huge 'but' - the original Saw is nowhere near 🗝 as gross-gusting as you think it is and happens to be brilliant horror. Yes, the title is about an implement 🗝 that a depraved killer suggests someone takes their leg off with rather than use a key to unlock a cuff, 🗝 but Saw is actually remarkably restrained. The ideas at work here are significantly more grisly in your own mind than 🗝 what you see on screen. Made on a shoestring budget by Leigh Whannell and James Wan, this tale of two 🗝 men waking up in a bathroom, a corpse between them, is twisted but constantly intriguing.
Why it’s scary: Put simply, we 🗝 all play Jigsaw’s game along with our heroes. What would we be willing to do to save our own miserable 🗝 lives? Would we be Amanda, ready to go into a stomach to find a key, or would we sit and 🗝 wait for an ultra gruesome fate? Throw in the genuine terror of ‘Billy’, Jigsaw’s painted cycling doll, and one of 🗝 the most terrifying extended jump-scare sequences potentially ever, and Saw still manages to pack a barbed-wire-covered punch.
Read more: Here's how 🗝 Saw became one of the biggest names in horror
28. A Nightmare on Elm Street (1984)
(Image credit: New Line Cinem)
The movie: 🗝 Just like a certain dungaree-clad possessed doll, Freddy Krueger fell firmly into killer clown territory as the Nightmare on Elm 🗝 Street franchise evolved over the years. Sure, he’ll spray your organs all over the walls but you’ll die laughing, right? 🗝 Look back at Wes Craven’s original movie, though, and Freddy isn’t to be trifled with. Our selective memories mean we 🗝 often forget that this serial child killer’s burns come from him being incinerated by an angry mob of parents. Living 🗝 eternally through their fear and guilt, Freddy becomes the ultimate boogeyman when he dons his favorite murder glove and goes 🗝 after a whole new generation of Springwood spawn while they slumber.
Why it’s scary: Bed is meant to be safe. Secure. 🗝 Free of razor-sharp blades ready to plunge through your chest at any given moment... Robert Englund’s Freddy might be horrible 🗝 to look at but it’s the very idea of falling asleep and never waking up again that’s the true terrifying 🗝 kicker here. The desperation of Heather Langenkamp’s Nancy and her friends as they strive to stay awake to stay alive. 🗝 No amount of caffeine or loud music can save you now, dreams are waiting and that’s where a maniac lurks 🗝 menacingly in the dark to end your life. Yes, the whole movie is worth it alone for Johnny Depp’s spectacularly 🗝 splattery death scene, but A Nightmare on Elm Street isn’t one to press the snooze button on.
27. Evil Dead 2 🗝 (1987)
(Image credit: renaissance)
The movie: So many Evil Dead 2 questions, so little time. Is it a remake? Is it a 🗝 sequel? Would it actually be physically possible to switch out your missing (presumed possessed) hand for a chainsaw with relative 🗝 ease? Well, thankfully, Bruce Campbell himself has answered the first two and explained that Sam Raimi’s cabin-based comedy horror is, 🗝 in fact, a 'requel.' Whereas the original Evil Dead followed a group of twenty-somethings to a holiday house from hell, 🗝 the sequel revolves exclusively around Campbell’s Ash and his girlfriend Linda as they attempt to survive after playing a reading 🗝 of the Necronomicon aloud. I'd be remiss if I didn't warn you about someone being beheaded with a garden tool 🗝 post-reading.
Why it’s scary: Evil Dead 2 is perfect comedy horror. While it might not send you shrieking away from your 🗝 screen, there’s a delightfully depraved viscerality to proceedings. Eyes in mouths, wall to wall gore, chainsaws feeling like the only 🗝 option. It’s worth noting here, too, that if you do want something a little less punctuated with the word ‘groovy,’ 🗝 then the Evil Dead remake from Fede Alvarez is truly something that can get under your skin. Where Evil Dead 🗝 2’s grim is played for much-appreciated laughs and you’ll embrace the physical effects, Alvarez’s reboot errs distinctly on the unnerving 🗝 side, making them a perfect double bill.
26. The Babadook (2014)
The movie: On release, Jennifer Kent’s haunted pop-up book became a 🗝 whole generation’s boogeyman seemingly overnight. "Have you seen The Babadook? I didn’t sleep all night," was hissed gleefully across offices 🗝 and pubs. And for good reason. The Babadook is scary. The tale of a young grieving widow trying to look 🗝 after her young son, this is a movie that sneaks under your skin and stays there. It also makes you 🗝 ask yourself a lot of questions. What would you do with a pop-up book about a creepy black-clad figure in 🗝 a top hat? Would you read it to your already traumatized young son? What if he begged? And how would 🗝 you deal with the ‘haunting’ that follows…?
Why it’s scary: Like the best horror movies on this list, the Babadook isn’t 🗝 just about scaring its audience. The parallels between grief and depression are no accident and it’s interesting to note that 🗝 one of the most disturbing sequences in the movie has nothing to do with a monster, but everything to do 🗝 with a young mother losing control of her son while she tries to drive. On the surface, you might mistake 🗝 The Babadook for something from The Conjuring universe but delve in and this is an intelligent, grueling fright-fest with a 🗝 knowledge of exactly what you’re afraid of. Even if you didn’t know it when you sat down to watch.
25. The 🗝 Cabin in the Woods (2011)
The movie: By 2011, we were having a self-referential horror crisis. Scream 4 was out and 🗝 had an intro multiple layers deep, smashing the fourth wall into pieces with horror-ception as character after character quipped about 🗝 the masked slasher genre. But where could comedy horror go next? How many times could a leading actress say “I 🗝 saw this in a movie once” without us wanting to remove our own eyes and never watch horror again? Well, 🗝 it turns out that there was still some life in the reanimated corpse yet. The Cabin in the Woods manages 🗝 to pin not just one horror trope but every single one, like someone armed with a laser sight and Final 🗝 Destination 3’s nail gun. When this lot of attractive twenty-somethings head to the titular spot, they get significantly more than 🗝 they bargained for. Oh, and Chris Hemsworth is one of them. Now you’re interested…
Why it’s scary: Joss Whedon and Drew 🗝 Goddard’s creation is no mere comedy escapade. I’m staying spoiler-free here because it’s too good, but just like the It 🗝 movie and its monster’s multiple faces, The Cabin in the Woods will tackle plenty of your phobias. This is a 🗝 creature feature like you’ve never seen before with gallons of gore and every monster you could ever imagine lurking in 🗝 the dark. Like Buffy before it, this has the ability to make you laugh one minute and scream the next. 🗝 Go in blind and this trip to the forest is a delightfully gory surprise.
The Cabin in the Woods £6 at 🗝 Amazon
24. Paranormal Activity (2007)
The movie: While The Blair Witch Project revved found footage horror back into action like a haunted 🗝 motorbike back in 1999, Paranormal Activity is where things got, err, dead serious. The first movie from now horror staple 🗝 Oren Peli, it introduces us to Katie and Micah who have been experiencing some odd goings-on in their LA home. 🗝 Ever the keen filmmaker, Micah sets up a camera at the foot of their bed to keep an eye on 🗝 things while they sleep. The bumps in the night that follow are enough to make you never want to see 🗝 another bed again, let alone lie on one.
Why it's scary: The reason why Paranormal Activity is so nerve-janglingly effective is 🗝 simple. Regardless of your favorite snoozing position or habits, we all lie down in a dark room, switch off, and 🗝 become perfect prey for whatever lurks in the gloom. The now infamous shot from the bottom of Katie and Micah’s 🗝 bed is a masterclass in slow-burn terror. Every simple extended shot as the clock ticks forward becomes an agonizingly tense 🗝 eye test. What’s going to move? Was that a shadow? Lingering footage of nothing actually happening has never been this 🗝 nail-biting as the days and nights roll on. The sequels have been relentless and a mixed bag in terms of 🗝 scares but, like a slamming door in the middle of the night, the pure terror of the original Paranormal Activity 🗝 just can’t be ignored.
23. Suspiria (1977)
The movie: Less a movie and more an assault on your senses, not to mention 🗝 your stomach, Dario Argento’s Suspiria follows young dancer Suzy as she arrives at a famous ballet school. Unfortunately, she doesn’t 🗝 heed the girl running in the other direction and finds herself surrounded by horrific murder as young women are picked 🗝 off artfully one by one. Still a gory cut above the remake, Argento’s original faced multiple cuts around violence on 🗝 release and was one of the films at the bloody center of the 1980s video nasty panic. It doesn’t take 🗝 long to see why.
Why it’s scary: Nothing about Suspiria is easy to experience. Every color forcing its way into your 🗝 eyeballs like technicolor violence, every murder intent on you watching each moment in agonizing detail from angles only a madman 🗝 would select, and a soundtrack so disturbing that you’ll feel like you might have accidentally found Hell’s playlist on Spotify. 🗝 Depraved, stylish, and beautiful, Suspiria is an experience not to be missed. You don’t have to like it, but even 🗝 after all these years, this is a true nightmare of a horror movie waiting patiently to sneak into your brain.
Read 🗝 more: The Suspiria remake is beautiful, brutal, and shocking
22. The Descent (2005)
The movie: If there was a dip in caving 🗝 and bouldering trip attendance back in the mid-noughties, it’s probably the fault of Neil Marshall’s truly terrifying claustrophobic creature feature. 🗝 Sarah’s friends want to make her feel better after the tragic death of her family so, instead of y’know, buying 🗝 her some gin, they take her on a caving trip. Unfortunately, the movie wouldn’t be on this list if the 🗝 six women were there to have a heartwarming, gently comedic adventure where they all grow as people. From the moment 🗝 this lot lower themselves into the darkness below the Appalachian mountains, it’s very clear that getting back out into the 🗝 light again isn’t going to be likely.
Why it’s scary: The claustrophobia of The Descent is horribly real. Before you even 🗝 discover what’s lurking down there - with a night vision reveal so spectacular that it goes down in jump scare 🗝 history - this cave system is stone horror. The women are experienced explorers but every shot of squeezing through tiny 🗝 spaces as rubble gently falls, every huge cavern only lit in one tiny corner by their flares, and every step 🗝 they take further into the abyss is heart-racing stuff. And this isn’t an unlikable crew of barely fleshed out American 🗝 teens, pun intended, these characters and their complex relationships truly matter. This is beautifully grueling, not to mention empowering, filmmaking. 🗝 Witness the UK ending of this cult classic and you’ll need more than a cheeky G&T to cheer you up 🗝 afterward.
21. It Follows (2024)
The movie: Infection in horror movies is spread in many ways. A bite here, an injection of 🗝 a transformational virus there. Hell, we’ve even had watching a video tape and having a ghost in real need of 🗝 some conditioner come and get you seven days later. To add a new spin to things, the grim plodding nasty 🗝 of It Follows comes to get you if you literally, well, do the nasty. While a 21st Century horror about 🗝 a sexually transmitted horrific curse sounds like it should be driven off a cliff, It Follows is a truly terrifying 🗝 experience. The horror is real as teenager Jay is plagued by ghosts no one else can see, slowly, endlessly walking 🗝 towards her unless she ‘passes it on’. Proving just how good Jay’s friends are, they club together to take on 🗝 the supernatural entity.
Why it’s scary: It Follows isn’t just scary. It’s chilling with jump scares that might mean you’ll need 🗝 to remove yourself from your ceiling with a spatula. With an unsettlingly brilliant synth score from Disasterpiece - seriously, let’s 🗝 put that in your headphones all day and see how it feels - Jay’s battle against those following her is 🗝 shot in a way that never feels like you can settle. Like Jay, we can never relax, and while a 🗝 scene might look peaceful, it never is. The most effective scares come from the relentlessness of these pursuers, dead-eyed, and 🗝 unblinking with one mission. It Follows is a modern masterpiece.
20. An American Werewolf in London (1981)
The movie: Comedy horror is 🗝 nothing new. The best horror movies have been walking that bloodied tightrope between making us laugh and making us scream 🗝 for decades. An American Werewolf in London, from legendary comedy director John Landis, is a masterclass in this particular circus 🗝 trick. David and Jack, two American backpackers - don’t worry, it’ll be one in a minute - find themselves wandering 🗝 the Yorkshire moors after dark, and instead of staying safe in The Slaughtered Lamb pub, decide to continue their journey. 🗝 The locals even tell them they’ll be fine if they just stick to the path…
Why it’s scary: When two become 🗝 one and Jack brutally falls to a mysterious lupine predator on the moors, a bitten David is taken to hospital 🗝 in London. Regardless of what this says about the NHS’s ability to deal with werewolf wounds, it means that when 🗝 David sheds his human skin to become a creature of the night, there are plenty of iconic places for him 🗝 to gorily slaughter his way through. Once you get over the first transformation sequence - a true CGI-free agonizing marvel 🗝 of lengthening bones, hewing muscle, and popping joints - this human canine’s tensely directed jaunt through the London Underground will 🗝 absolutely ruin your late-night travel plans. And, while you’ll get to stop to laugh at Jack’s zombified ghost repeatedly rocking 🗝 up to tell David to end his own life, the horror here is very real as his relationship with his 🗝 nurse girlfriend threatens to have the heart, quite literally, ripped out of it. A masterwork.
19. The Witch (2024)
The movie: Self-described 🗝 as a 'New England folk tale' – although it’s more like a fairy tale from hell - Robert Eggers’ terrifying 🗝 period drama follows a Puritan family after they are ejected from their colony. Screaming 'don’t do it' at the screen 🗝 just doesn’t work as William (Ralph Ineson) takes his wife Katherine (Kate Dickie) and his five children into the deep, 🗝 dark woods to survive alone on a farm. It’s not spoiling anything to say that it doesn’t go particularly well. 🗝 Following Thomasin, the eldest daughter of the family played by Anya Taylor-Joy in her first credited role, we witness the 🗝 tense unraveling of a dysfunctional family faced with the horrific prospect of an outside force staring out at them from 🗝 the trees.
Why it’s scary: It’s love or hate time with this divisive movie, but lose yourself to The Witch and 🗝 suddenly everything is scary and you can’t put your shaking finger on exactly why. Every perfectly constructed shot of the 🗝 family attempting to survive in the wilderness is cranked into fear-ville with a constantly surprising hellish score of strings and 🗝 vocals. This means that when true horror eventually does hit after a torturous slow burn of tension, it’s like Eggers 🗝 has masterfully wired you in for shocks and you didn’t notice. From the unnerving skip and shrill voices of the 🗝 young twins to the monstrous goat known only as Black Phillip, there is unique horror lurking in The Witch that 🗝 just doesn't go away.
18. 28 Days Later (2002)
The movie: Let’s get the undead elephant out of the room first. Danny 🗝 Boyle’s horror is a zombie movie. Yes, they can run, but it’s important to think of this horrible lot as 🗝 part of the same family tree as Romero’s finest. Maybe they wouldn’t have Christmas dinner together but they’d at least 🗝 send cards and maybe some gift cards for the necrotic kids. The important thing is, regardless of their speed, these 🗝 zombies are still the destroyers of worlds. When Jim (Cillian Murphy) wakes up in a hospital bed - a lot 🗝 like our friend Rick in The Walking Dead - he staggers out into an apocalyptic London that will never be 🗝 the same again.
Why it’s scary: 28 Days Later feels like a nightmare. Complete with a quite often heartbreaking as well 🗝 as heart-pounding soundtrack, this feels like the truest glimpse at the modern British apocalypse as Jim and his fellow survivors 🗝 quest for safety in Scotland. The Infected are truly horrifying, survivors are suspicious, and the fallen British landscape is an 🗝 impressive feat of cinematography. Throw in excellent performances from everyone involved and 28 Days Later is a gory feast for 🗝 the eyes and the heart.
17. Candyman (1992)
(Image credit: Tristar Pictures)
The movie: The original Candyman film, based on horror writer Clive 🗝 Barker’s short story The Forbidden, was a success upon release and subsequently gained a loyal following throughout the '90s thanks 🗝 to its regular appearance at teen sleepovers as a VHS rental. Helen Lyle (Virginia Madsen) and her study buddy Bernadette 🗝 Walsh (Kasi Lemmons) are researching folk tales and urban myths in Chicago, and land themselves in the midst of the 🗝 Candyman legend - the only-too-real tale of a murdered enslaved man who haunts and terrorises the residents of a housing 🗝 project with his hooked hand. Helen’s tenacity, slight white-saviour complex and likeness to Candyman’s old love see her become his 🗝 new obsession… and then his victim.
Why it’s scary: Tony Todd’s titular Candyman lurks in the shadows and the subconscious of 🗝 the project Cabrini-Green, and his imposing stature and deep lyrical voice catapulted him into modern horror monster cult status. The 🗝 film is renowned for its beauty and its brutality, with evocative direction from Bernard Rose, a stunning score from Philip 🗝 Glass, and visceral kills from its central character. Candyman is scary in all the best ways: it delivers gore and 🗝 jump scares to test the most seasoned of horror fans, and the kind of tension that comes from a feeling 🗝 of grim relentlessness and inevitability. In short, dare to say his name five times into a mirror and you and 🗝 the people you love are doomed to die a horrible hooky death.
16. Get Out (2024)
The movie: Mid-20's photographer Chris is 🗝 driving out to rural New York to meet his girlfriend's parents for the first time, but he's a little nervous. 🗝 "Do they know I'm Black?" he tentatively asks Rose, but she's having none of it: "My Dad would have voted 🗝 for Obama a third time if he could have!". Phew! What could possibly go wrong? Everything. Everything can go wrong, 🗝 Chris. Turn back now. This isn't just going to be slightly socially awkward.
Why it's scary: Bubbling with resonant social commentary, 🗝 layered with hard-hitting goosebumps, and sprinkled with uncompromising humor, Get Out is a modern horror masterpiece in every sense of 🗝 the word. Not content with scaring you just for its 90-minute run-time, director Jordan Peele wants to draw your attention 🗝 to the real frightening truths rooted deep in the identity politics of contemporary America, and his grand reveal is more 🗝 horrific than any jump scare could ever hope to be.
15. The Wicker Man (1973)
(Image credit: British Lion Films)
The movie: If 🗝 the above image doesn’t strike a sense of menace into your heart, it’s time to mainline Robin Hardy’s folk horror 🗝 directly into your eyes. No, The Wicker Man isn’t just about reaction gifs and mocking the bee-packed Nicolas Cage remake. 🗝 If nothing else, watching Edward Woodward’s journey to Summerisle is essential background reading for the 21st Century spate of rural 🗝 scary movies. The ideal accompaniment for the modern nastiness of Ari Aster’s Midsommar or Ben Wheatley’s Kill List, The Wickerman’s 🗝 appeal is in its sheer terrifying simplicity. Policeman goes to island on the hunt for a missing girl. Policeman discovers 🗝 all is not what it seems. Oh, and indeed, dear.
Why it’s scary: It’s a horror message that we’re all quite 🗝 used to by now but humans being the real monsters never seems to get old. The inhabitants of Summerisle might 🗝 seem somewhat comedic and there are more than a few moments of genuine humor in here, but The Wicker Man 🗝 is fuel for your trust issues. Why should you truly believe what anyone says? How can you actually go to 🗝 sleep in a world full of human beings? The fear of the unknown is potent as Woodward’s Neil Howie blunders 🗝 into a world with its own set of rules and beliefs. And, if you have managed to somehow not know 🗝 how it ends, the reveal is still absolutely devastating.
14. Psycho (1960)
(Image credit: Paramount)
The movie: Alfred Hitchcock’s proto-slasher classic is now 🗝 over 60 years old and still packs the sort of punch that elevates horror films into the realms of cinematic 🗝 legend. In case you don’t know, Psycho follows Marion Crane (Janet Leigh) as she goes on the run after stealing 🗝 a shedload of money from her boss, ending up at a motel run by the unassuming Norman Bates (Anthony Perkins) 🗝 and his domineering mother. What unfolds is a shocking story of identity and murder, with some of the most iconic 🗝 sequences in film history playing out in beautiful black and white under Hitchcock’s inspired watchful eye.
Why it’s scary: Well… there’s 🗝 that shower scene for starters. Not to mention the sort of tension only Alfred Hitchcock - the Master of Suspense 🗝 - can conjure in that certain way he did, making it look so easy but which was actually the kind 🗝 of illusive genius that made him a household name. Scenes of voyeurism are characteristically played out for both Norman and 🗝 the audience, creating an atmosphere of impending doom, and genuinely chilling moments of frenzied stabbing from the movie’s killer (no 🗝 spoilers here, no matter how long it’s been around) make the blood run cold... especially down a certain famous plughole. 🗝 Set all this to Bernard Herrmann’s sublime score of screeching strings, and you’ve got something truly special that’s not to 🗝 be missed by any fan of horror or cinema.
13. Halloween (1978)
(Image credit: Warner)
The movie: Who'd have thought an old Star 🗝 Trek mask could be so terrifying? Director John Carpenter created a modern classic when he gave his villain a blank 🗝 William Shatner mask to wear while he stalks babysitters around the fictional town of Haddonfield, Illinois. The movie created another 🗝 icon, too, in Jamie-Leigh Curtis, who'd become both a scream queen in her own right, and the template for all 🗝 final girls to follow. Who cares if the first scene makes no sense? This is a movie that starts with 🗝 a child-murdering his sister while wearing a clown mask and if that's not scary, you need your horror fan status 🗝 revoked immediately.
Why it's scary: Pretty much the original stalk-and-slash, Halloween set standards that have rarely been matched. Carpenter composes his 🗝 shots to keep you constantly guessing, blending both claustrophobia and fearful exposure, often at the same time, to create a 🗝 deeply uneasy sense of vulnerability wherever you are and whatever is happening. Also, that soundtrack. Composed by Carpenter himself. There 🗝 is a reason that pounding doom-synth is still the soundtrack for oppressive horror. As a great follow up too, get 🗝 the 2024 sequel into your eyes. The new Halloween removes all those messy other sequels and does a perfect job 🗝 of showing the real trauma of growing up as a victim of The Shape himself.
Read more: The best Halloween movies 🗝 rewatched, reviewed, and ranked
12. Alien (1979)
The movie: Arguably one of the greatest science fiction movies ever made also just happens 🗝 to be one of the greatest horror movies too. It doesn't seem fair, does it? The original Alien from Ridley 🗝 Scott sends the crew of the Nostromo to investigate a distress call from an abandoned alien spaceship as innocently as 🗝 any gang of hormonal teenagers headed off to a remote cabin in the woods. And, just like those teenagers, not 🗝 many of them are going to survive to tell the tale. Sigourney Weaver makes for the ultimate Final Girl here.
Why 🗝 it's scary: There's nowhere more horribly isolated than a spaceship light years away from home and Giger's alien is as 🗝 terrifying a monster as you could wish for. The dread goes much deeper than teeth and claws though. This creature 🗝 represents a multilayered, bottomless pit of psychosexual horror, its very form praying on a raft of primal terrors. Plus, the 🗝 visual ambiguity of Scott's direction during the final act is an absolute masterclass in 'What's that in the shadows?' tension. 🗝 Ignore the recent xenomorph-packed movies, turn off the lights and watch this and Aliens to reignite your passion for the 🗝 true horror of Scott's vision.
11. The Omen (1976)
(Image credit: Fox)
The movie: At the sixth hour of the sixth day of 🗝 the sixth month (get it?), a certain baby was born who would change the world forever. And not just within 🗝 the world of The Omen. Damian is the ultimate evil kid - the spawn of Satan himself - and he’s 🗝 here to wreak havoc on the lives of his ‘adoptive’ parents, the Thorns (played masterfully by Gregory Peck and Lee 🗝 Remick) and everyone around them, including David Warner’s photographer-cum-buddy-cop Jennings. So exemplary is this creepy child that he has become 🗝 the go-to reference for all little “Damians” going forward.
Why it’s scary: Richard Donner’s The Omen is a masterclass in quality 🗝 horror filmmaking but don’t let that put you off, horror fans - there’s plenty of shock and schlock to be 🗝 had here too. As Damian unleashes his dastardly plans on the world around him, people are hanged, shot, decapitated, defenestrated, 🗝 impaled, savaged by rottweilers and a sinister nanny - the lot. But perhaps what is most scary about this occult 🗝 offering is the sense of inescapability that runs through the frightening deaths that pepper the film - if Damian has 🗝 you in his sights, there’s very little you can do to outrun your fate.
10. Hereditary (2024)
The movie: Home is where 🗝 the heart is. It’s also where the worst horror lives, hiding just beneath the surface of the perfect family life. 🗝 A harrowed Toni Collette leads Ari Aster’s very first (!) feature film as the mother of a grieving family. The 🗝 death of her own mother has sent shockwaves through their home and, to keep this review spoiler-free, the future isn’t 🗝 looking exactly, errr, bright either.
Why it’s scary: It’s fair to say that at no point does Hereditary feel safe. Nowhere 🗝 during its two-hour run time do you feel like you can stop and take a breath, or even make a 🗝 guess as to what’s coming next. Is this a supernatural movie? Is this an exercise in grief, similar to the 🗝 Babadook? Is there even a difference between these two ideas? Every shot of Collette’s artist painstakingly creating miniature dioramas feels 🗝 like a threat and every awkward conversation between the two teenagers of the family leaves a sickening feeling in the 🗝 pit of your stomach. Why? There's no putting your finger on the exact reason. It might have split cinema audiences 🗝 but Hereditary is a tour de force of modern horror that will leave you reeling long after its grueling third 🗝 act. We’re just not going to tell you why.
Read more: Intelligent, emotional, and terrifying, Hereditary is near-perfect horror.
Hereditary 7.3/10 Watch 🗝 at Netflix
9. Scream (1996)
The movie: By the late '90s, horror was looking a little tired. The masked slasher trope was 🗝 staggering along in a dire need of a cup of very strong espresso. What it got instead was Wes Craven’s 🗝 Scream which, despite being parodied into Inception levels of postmodern irony since, reinvigorated the genre with its perfect blend of 🗝 knowing comedy and scares. Neve Campbell, Rose McGowan, and Drew Barrymore as teenagers talking fluent horror movie while being picked 🗝 off by a genre-obsessed serial killer? Oh, go on… Add in Courtney Cox - at the giddy heights of Friends 🗝 fame - as intrepid news reporter Gale Weathers and Scream is a modern horror classic.
Why it’s scary: Just because something 🗝 is self-referential doesn’t mean it can’t be truly terrifying. The Scream mask, based on Munch’s painting, might have been twisted 🗝 into stoned bliss by Scary Movie, but it still manages to unsettle and thrill. Scream’s scares remain unpredictable too. Victims 🗝 fall to this slasher’s knife with disturbing regularity and as we grow attached to our genuinely likable quipping heroes, the 🗝 end game becomes all the more stressful as we wonder who will survive to the credits. Craven’s Nightmare on Elm 🗝 Street scare talents guarantee terror all the way to the end. Why don't you, liver alone, eh?
8. Jaws (1975)
The movie: 🗝 Before Jurassic Park , before ET , and an eternity before the majority of the cast of Ready Player One 🗝 were brought screaming into existence, there was Jaws, Steven Spielberg’s toothy horror. And yes, this is a horror movie. Jaws, 🗝 one of the original blockbusters on account of the number of people literally queuing round the block only to flee 🗝 the cinema in terror, is horrifying. It doesn’t matter that the shark looks a little ropey now when he gets 🗝 up close and personal, the story of Amity Island’s gory summer season as Chief Brody desperately tries to keep swimmers 🗝 out of the water is the stuff of horror legend. And, let’s face it, you’re already humming the score.
Why it’s 🗝 scary: The reason that Jaws haunts you long after the credits roll is simple. One viewing and this particularly vindictive 🗝 shark can potentially ruin every trip to the seaside. Every gentle paddle as waves lap at your toes. Every skinny 🗝 dip. Every precarious trip out onto the ocean wave on anything smaller than the Titanic. Spielberg doesn’t pull any punches 🗝 either. Dogs die, children die, heads float out of sunken boats. No one is guaranteed to see the credits here, 🗝 especially not the three men who head out to sea to slay the beast. With legendary performances and a monster 🗝 that will never leave you, Jaws is the ultimate creature feature.
Read more: 11 big dumb shark movies to guarantee you'll 🗝 never go swimming again
7. Ringu (1998)
(Image credit: Toho)
The movie: In the late ‘90s and early ‘00s, a rash of J-horror 🗝 films came out of Japan to scare the bejeezus out of audiences, and perhaps none so notable or influential as 🗝 Hideo Nakata’s Ringu. Journalist Reiko Asakawa and her ex-husband Ryuji investigate the mysterious death of Reiko’s niece, a highschooler who 🗝 died one week after watching a notorious video tape linked to an urban legend that appears to be petrifyingly true 🗝 and now threatens the couple’s son. They uncover the story of Sadako, a young girl with deadly psychic powers and 🗝 her unfortunate demise, and seek to bring peace to her memory before it’s too late. The VHS technology may seem 🗝 a little dated in the age of digital streaming, but there’s nothing out-of-touch about the fear generated by Nakata’s incendiary 🗝 horror filmmaking.
Why it’s scary: Oh we don’t know. Maybe there’s nothing scary about the relentless ringing of a telephone that 🗝 means you’ve only got seven days to live, haunted video tapes showing surreal footage that leads to people being literally 🗝 terrified to death, the idea that you have to pass on the curse to someone else or die, or lank 🗝 black haired ghost girls crawling their way out of deserted wells… maybe it’s just us.
6. The Blair Witch Project (1999)
(Image 🗝 credit: Haxan Films/Summit Entertainment)
The movie: Ever wondered why no one’s out camping in the woods these days? It’s not that 🗝 millennials really need to be within one hundred feet of a charging point at all times, it’s just the fact 🗝 that a full generation of us saw The Blair Witch Project in our early teens and we just really like 🗝 to sleep inside now. This now almost mythical, found footage horror follows three young documentary makers as they journey to 🗝 Burkittsville in Maryland. Heather, Mike, and Josh start off interviewing the locals about the local legend of The Blair Witch, 🗝 a particularly nasty tale you’d hope was just to keep children eating their veggies, before heading into the woods where 🗝 the witch apparently resides. Given that all that’s ever been found are these tapes, there's not exactly a happy ending.
Why 🗝 it’s scary: What’s waiting for Heather and co in the woods is terrifying enough, as strange noises drift through the 🗝 trees and they descend into a directionless spiral of madness and anger, but what’s equally scary about The Blair Witch 🗝 Project is the perfect blurring of reality and fiction. This is Heather Donahue, Michael Williams, and Joshua Leonard. These actors 🗝 were sent out into the woods and their horrifying ordeal is thanks to the filmmaker's insistence on mentally torturing them 🗝 every night. Released in 1999 and reigniting the popularity of the now horror staple found footage genre, the movie’s marketing 🗝 even touted it as real. Every wobbly shot, every scream, and every stick figure that the three find are there 🗝 to tell your brain that these people really went into the woods and never came back. Oh, and the ending 🗝 is like being punched in the gut by nightmares.
5. The Silence Of The Lambs (1991)
(Image credit: IMDb)
The movie: Jodie Foster 🗝 and Anthony Hopkins star in this horror - yes horror - film about a young FBI agent hunting serial killer 🗝 Buffalo Bill (Ted Levine) and the incarcerated cannibal brought on to assist her. Jonathan Demme’s film won ‘the big five’ 🗝 prizes at that year’s Academy Awards: Best Picture, Best Director, Best Actor, Best Actress, and Best Adapted Screenplay, and gave 🗝 licence to an audience who wouldn’t normally gravitate towards horror movies to delve into the scary underbelly of cinema’s darker 🗝 side. In turn, novelist Robert Harris’ character of Hannibal Lector became one of film’s most recognisable villains under the assured 🗝 - and deliciously camp - steer of Hopkins’ teeth-gnashing performance, and we were given one of our strongest and most 🗝 compelling female leads with Foster’s Clarice Starling.
Why it’s scary: Moments of sickening violence intersperse with strong procedural storytelling to create 🗝 a truly nail biting experience. Lector is a man beyond us - a genius who can outthink, outfight and outrun 🗝 those entrusted with keeping us safe. Add in Levine’s Buffalo Bill, a beast of a man intent on making himself 🗝 a human suit, and characters we care about not becoming bloated corpses with their skin flayed off, and you’ve got 🗝 a serial killer shocker for the ages. Not to mention that to this day, a denouement in a pitch black 🗝 basement, soundtracked by the desperate cries of a kidnapped woman, is one of the most terror-stricken - and cathartic - 🗝 sequences in horror cinema.
4. The Shining (1980)
The movie: Even if you haven’t watched Stanley Kubrick’s masterpiece, you’ll know of The 🗝 Shining. You’ll know Jack Nicholson’s (apparently ad-libbed) "Heeeeeeeere’s Johnny" and you might even be aware that if you’re handed the 🗝 keys to room 237 in a hotel, you might want to switch it for another suite. But what if you 🗝 haven’t? What if you have been snowed up in a mysterious hotel with only hedge animals for company? Well, The 🗝 Shining follows a man and his family as he takes on the role of winter caretaker at a resort hotel 🗝 known as The Overlook. Given that this is a Stephen King adaptation (albeit one that that horror author hates so 🗝 much that he made his own movie), the winter months don’t go well. The Overlook Hotel, it turns out, doesn’t 🗝 really like people.
Why it’s scary: There's a reason that this is the top of this veritable pile of screams. The 🗝 Shining feels evil. From Jack Nicholson’s deranged performance as a man descending into murderous insanity to Kubrick’s relentless direction as 🗝 we hypnotically follow Danny navigating the hotel corridors on his trike, this is a movie that never lets you feel 🗝 safe. Like Hereditary earlier in this list, The Shining is like being driven by a drunk mad man. What’s coming 🗝 next? Lifts of blood? Chopped up little girls? The terror that lurks in the bath of room 237? This is 🗝 not a horror movie made of boo scares or cheap tricks, Kubrick’s film is a lurking, dangerous beast that stays 🗝 with you long after your TV has gone dark.
3. The Thing (1982)
The movie: Perhaps you’ve been buried in snow and 🗝 have missed John Carpenter’s ultimate creature feature. Entirely understandable. Why don’t you come closer to the fire and defrost? The 🗝 title might sound hokey but The Thing remains one of the most gloriously splattery and tense horrors of all time 🗝 as a group of Americans at an Antarctic research station - including Kurt Russell’s R.J MacReady - take on an 🗝 alien, well, thing that infects blood. It might start off taking out the canine companions, but it really doesn’t stop 🗝 there.
Why it’s scary: The Thing is a movie of physicality. There’s intense paranoia and horror sprinkled in as the party 🗝 begins to fall apart as the infection spreads but it’s the very real, oh-so-touchable nature of the nasties at work 🗝 here that’s so disturbing. The practical effects - the responsibility of a young Rob Bottin and uncredited Stan Winston - 🗝 are the true stars as arms are eaten by chests, decapitated heads sprout legs, and bodies are elongated and stretched. 🗝 The macabre vision of these murderous monsters at work is never anything less than true nightmare fuel.
2. The Texas Chain 🗝 Saw Massacre (1974)
The movie: Some movie titles are vague, letting you gradually work out their meaning as the narrative slowly 🗝 unfurls in front of your eyes like a delicate flower in tea. Then there’s Tobe Hooper’s grim, sweaty horror movie. 🗝 There is nothing delicate here. Its titular weapon needs to be sharp but The Texas Chain Saw Massacre is a 🗝 blunt instrument of horror. This is a tour de force of violence as five young people leave the safety of 🗝 the world behind and journey into dusty Americana. What they find in one house when they innocently enter looking for 🗝 gas is such death and depravity that the movie is still, decades on, a disturbing endurance test.
Why it’s scary: The 🗝 funny - and there is humor here, it’s just not there on the first watch - thing about the Texas 🗝 Chain Saw Massacre is that there’s actually very little blood. There’s the iconic Leatherface, inspired by Ed Gein in his 🗝 fleshy face covering, and a death scene involving a hook that will make you look down and check your body 🗝 is still there, but very little viscera. Gore is something that your brain mentally splashes everywhere to try and deal 🗝 with the horror on screen here, to cope with the screams of pure terror and iconic disturbing soundtrack. It’s suffered 🗝 plenty of clones over the years, not to mention a Michael Bay-produced glossy cash cow remake, but nothing can replicate 🗝 the sheer desperation and violent honesty of The Texas Chain Saw Massacre. It would almost be dangerous to try.
Read more: 🗝 The real Texas Chain Saw Massacre – how a '50s grave-robber inspired a horror classic
1. The Exorcist (1973)
The movie: And 🗝 here we are. It almost feels predictable that William Friedkin’s masterpiece, now in its 50th year, is still looming near 🗝 the top of so many horror features. But watch The Exorcist and you’ll understand why. This is the tale of 🗝 Regan, the daughter of a successful movie actress who one day occupies herself in the basement by playing with an 🗝 ouija board. If you have ever wondered why your parents don’t want you playing with this innocuous-looking toy, a young 🗝 Linda Blair probably has something to do with it. Using the ouija board as gateway, an unwelcome guest takes root 🗝 in the little girl and the rest, as the titular exorcist arrives, is cinema history.
Why it’s scary: Much like The 🗝 Shining, The Exorcist is not safe. Unpredictable, visceral, and primeval, this is a movie based on the simplest of premises 🗝 but even in its happiest moments, is absolutely anxiety-inducing. With a now near-mythical production, William Friedkin’s relentlessness for ‘authenticity’ meant 🗝 his actors were frozen in a refrigerated bedroom, physically pulled across sets to replicate the demon’s physical prowess, and, of 🗝 course, splattered with warm pea soup. The result is a horror movie that you’ll probably never say you actively enjoy, 🗝 but will find yourself rewatching, just to feel the sheer terror of Friedkin’s battle of good vs evil in all 🗝 its disturbing glory once again.
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